Act I - Scene II
Athens |
Enter Quince the Carpenter, Snug the Joiner, Bottom the Weaver, Flute the Bellows-mender, Snout the Tinker, and Starveling the Tailor |
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Exeunt |
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— Wesley, Owl Eyes Editor
Bottom’s constant interruptions and self-aggrandizing claims along with the other “wanna-be” actors’ problems and issues with the story reveal them all to be ridiculous, comic, and silly characters. Bottom in particular is portrayed as boastful and foolish, claiming that his acting can make an audience cry and also change the physical environment. His example monologue here further reinforces this portrayal, due to its childish style and rhyme scheme robbing it of any grandiloquence. So, through Bottom and the others, Shakespeare establishes his foundation for parodying the conventions of romance stories as well as the theater.
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— Wesley, Owl Eyes Editor
Notice here how Flute complains about playing a woman because of his beard. By having Flute express this problem, Shakespeare was most likely mocking the rules during the Elizabethan era that prohibited women from being actors.
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— Wesley, Owl Eyes Editor
Quince tells everyone that this play is about lovers who die for love, which is almost the exact same situation that Lysander and Hermia are facing. This not only reinforces the play-within-a-play theme by parodying the main stories events, but it also extends to a more common romance trope that true love is worth dying for.
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— Wesley, Owl Eyes Editor
By incorporating these laborers and their desire to put on a performance, Shakespeare introduces the theme of a play within a play, which has several important functions in A Midsummer Night’s Dream: the laborers’ mistakes and attempts to put on a show introduce more humorous strains into the tale, Shakespeare is able to comment more broadly on the nature of art and the theater, and the laborers’ play will parody many of the main events in A Midsummer Night’s Dream, keeping the tone light and comical.