Act IV - Scene I
[Venice] |
Enter the Duke, the Magnificoes, Antonio, Bassanio, and Gratiano, [Salerio, and others] |
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Enter Shylock |
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Enter Nerissa [disguised]. |
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Enter Portia, [disguised] Balthasar. |
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Exit [Shylock] |
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Exit Duke and his train. |
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Exeunt [Portia and Nerissa] |
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Exeunt. |
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— Caitlin, Owl Eyes Staff
In sacrificing himself for Bassanio's bond, Antonio metaphorically carves himself into Antonio's heart forever. Antonio sets himself up to be a martyr: someone who dies for a cause of their beliefs. Antonio becomes a Christ-like figure. However, unlike Christ who died in order to redeem man-kind, Antonio will die because he and Bassanio recklessly gambled away their money and took a dangerous bond. Antonio's rhetoric attempts to recast the reality of the situation so that he appears to be an innocent victim of an evil man.
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— Caitlin, Owl Eyes Staff
Even though Portia has redirected Bassanio's bond to Antonio onto herself, Antonio is still able to assert his "love" against Bassanio's wife. Bassanio still follows Antonio's instructions more than he follows Portia's instructions.
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— Caitlin, Owl Eyes Staff
Shakespeare uses dramatic irony here for comedic effect. The audience knows that this doctor is actually the person as this "mad wife." While the doctor claims that only a mad woman would be upset about giving a ring to the man who saved Bassanio's best friend, Portia is actually testing Bassanio's fidelity. She will be angry if he gives away the ring.
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— Caitlin, Owl Eyes Staff
By dearest, Bassanio means the most expensive ring in Venice. Notice that Bassanio continues to assess value through money while Portia is trying to get him to state the ring's emotional importance.
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— Caitlin, Owl Eyes Staff
Remember that this is the ring that Portia gave Bassanio as a symbol of her love and herself. She told him to never part with it as long as he still loved her. However, rather than telling the doctor that this is his wedding ring and that he cannot part with it, Bassanio attempts to devalue the ring. He tells the doctor that it is an unimportant piece of jewelry that the man cannot want.
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— Caitlin, Owl Eyes Staff
Now that Portia has saved Antonio, both Antonio and Bassanio are bound to her rather than bound to each other. Portia has successfully inserted herself into their bond.
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— Caitlin, Owl Eyes Staff
By this Gratiano means that had he been in charge, Shylock would have faced a jury of twelve men and been sentenced to hang. Notice that even though Shylock has been defeated and forced to convert to Christianity, the Christians still see him as a hated other.
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— Caitlin, Owl Eyes Staff
Antonio's condition gets at a major theme of the play: appearances versus reality. On the surface, this might seem like a positive request from a Christian perspective; in forcing him to convert, Antonio "saves" Shylock's soul. However, a conversion without conviction means nothing, a fact that would not go unnoticed by a Shakespearian audience that was alive during England's break with the Catholic Church. Antonio's requirement thus undermines not only the sanctity of his religion but the religious values he professes to have. Therefore, while this appears to be a form of "Christian mercy," it actually reveals how vacuous the Christian's faith is.
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— Caitlin, Owl Eyes Staff
Antonio offers Shylock a semblance of mercy by allowing him to keep half his fortune and admitting in open court that a Christian stole Jessica. However, his condition is forcing Shylock to recognize Lorenzo as his proper heir, undermining the idea that Jessica was wrongfully taken and essentially condoning the marriage.
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— Caitlin, Owl Eyes Staff
A "halter gratis" means a free noose. This shout from Gratiano is particularly grotesque as Shylock has just stated that he cannot survive in Venice.
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— Caitlin, Owl Eyes Staff
While an unsympathetic audience may hear Shylock's words as a reflection of an obsession with money, Shylock highlights the lack of mercy within this sentence. As a man hated for his religion and denied all other avenues of work, he cannot survive in Venice without his money and his trade.
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— Caitlin, Owl Eyes Staff
The Duke offers Shylock to reduce the amount of money he owes the state to a fine by acting "humble." In other words, the Duke asks Shylock to beg for his money. This is neither humility nor mercy on the part of the Christians. The Christians seek to take Shylock's money, the only thing that gave him any power within Venetian society, and force him to grovel to the privileged class. This is a form of humiliation meant to put Shylock back in his place. In pardoning Shylock, the Duke does not offer him mercy but rather makes him an example to all other marginalized peoples that attempt to upset the status quo.
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— Caitlin, Owl Eyes Staff
Gratiano's overly exuberant and insulting statements make him, and the Christian opinion that he represents, petty. It is unclear whether or not Shakespeare's audience would have jeered with Gratiano, but modern audiences lose sympathy for these characters who need to degrade and punish Shylock on top of defeating him. The Christian characters lose their credibility in this moment because this invocation of mob justice completely contradicts the idea of "mercy" that they claimed to value at the beginning of this scene.
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— Caitlin, Owl Eyes Staff
Notice how the concept of "mercy" has changed here. While at the beginning, Portia triumphed the concept of mercy for mercy's sake, assuming Shylock would simply grant it to Antonio, she expects Shylock to "beg," meaning that he must prove he is worthy of mercy in a way that Antonio did not have to.
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— Caitlin, Owl Eyes Staff
Under Venetian law, any foreigner who conspires against the life of a Venetian must give half their assets to their victim and the other half to the state. The fate of their life is then left up to the Duke to decide. Notice that Portia, who earlier triumphed mercy, demonstrates extreme prejudice here. She uses Shylock as an example to all other 'aliens' that try to use Venetian laws for their own benefit. She proves that the law is for rich merchants, not marginalized peoples.
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— Caitlin, Owl Eyes Staff
Portia converts Shylock, a Venetian citizen, into an alien, or foreigner, in order to enact this bit of the law. Portia stretches the law in order to save Antonio and punish Shylock, proving that the law protects Venice's privileged citizens and neglects its marginalized citizens.
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— Caitlin, Owl Eyes Staff
By principal, Shylock means his original bond of three thousand ducats. Defeated, Shylock simply asks for what he originally loaned and abandons his revenge or profit.
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— Caitlin, Owl Eyes Staff
This is a colloquial term taken from wrestling that means to have the upper hand or the advantage. Notice that Gratiano uses Shylock's exact words against him to show that Shylock has lost; he robs Shylock's words of their intended meaning in order to use them against him.
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— Caitlin, Owl Eyes Staff
Notice that now that she has the upper hand, Portia abandons all notions of mercy. She asked Shylock to show Antonio mercy, and when time comes for her to offer Shylock mercy, she instead decides to punish him. This action demonstrates the double standard under which Shylock lives: he is expected to be better than the Christians, to turn his cheek even though they do not show him the same kindness.
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— Caitlin, Owl Eyes Staff
Gratiano's repetition of this line becomes a mocking victory cry over Shylock; the Christians have won and Shylock has been defeated.
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— Caitlin, Owl Eyes Staff
Gratiano uses Shylock's words against him in order to mock him now that the tables have turned. Shylock has repeatedly said that this judge is right and honorable, and now that the judge has used his logic against Shylock, Gratiano wants to remind the court that the judge is right and honorable.
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— Caitlin, Owl Eyes Staff
Shylock says this incredulously: much like Nerissa and Portia, he cannot believe that these husbands would so flippantly offer their wives's lives for this man. Even while Shylock is insistent on the fulfillment of a gruesome bond, this reaction shows him to be principled, and suggests that his marriage was honorable and loving.
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— Caitlin, Owl Eyes Staff
Barabbas and Jesus were imprisoned and sentenced to death at the same time. Barabbas was released when a crowd demanded his salvation over Jesus. Historically, Barabbas and the Jews who protested for his release instead of Jesus's have been blamed for the crucifixion. With this reference Shylock declares that he would rather have his daughter married to a descendant of the man responsible for anti-Semitic hatred than one of these Christian husbands who do not value their wives.
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— Caitlin, Owl Eyes Staff
Again, Gratiano offers his wife's life for Antonio's thinking that Nerissa cannot hear him. Ironically, he does not say this behind her back but to her face.
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— Caitlin, Owl Eyes Staff
Portia invokes dramatic irony with this statement, because Bassanio's wife is in fact "by to hear him make the offer." Bassanio's confession of love makes it all the more urgent that Portia save Antonio and rid Bassanio of his bond to his friend. She must redirect this love towards herself.
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— Caitlin, Owl Eyes Staff
Bassanio prizes Antonio's life above his wife, the world, and his own life. This declaration suggests that Bassanio loves Antonio in much the same way that Antonio loves him.
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— Caitlin, Owl Eyes Staff
This is a rather blatant confession of romantic love for Bassanio. Antonio asks Bassanio to let his wife judge whether or not he had ever been loved, which is a type of claim on Bassanio's heart. This would be problematic for Portia as Antonio is essentially using his death and martyrdom to claim Bassanio's heart for his own.
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— Caitlin, Owl Eyes Staff
In his dying speech, Antonio uses language that parallels the marriage ceremony. In dying for Bassanio's bond, Antonio marries Bassanio to his debt forever.
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— Caitlin, Owl Eyes Staff
Shylock focuses on the literal language of the bond. This will be his undoing as Portia uses this very literal approach to the law against him.
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— Caitlin, Owl Eyes Staff
In the Book of Daniel from the Old Testament, Daniel rescues virtuous Susanna from slander and execution. In the story, two lecherous voyagers threaten to accuse Susanna of promiscuity unless she sleeps with both of them. Because she refuses, she is accused, arrested, and sentenced to death for lechery. Daniel asks the elders to independently question the voyagers about the events they claim to have witnessed, and when their testimonies are vastly inconsistent, Susanna is released. Virtue triumphs over falsehood, and the two men are put to death.
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— Caitlin, Owl Eyes Staff
Portia defies Bassanio's request to simply subvert the law on Antonio's behalf. She rightly asserts that relieving Antonio of his bond will pave the way for other spend thrifts to get out of their bonds and undermine Venice's entire economic system.
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— Caitlin, Owl Eyes Staff
Bassanio asks this doctor of the law to do a great right, save Antonio's life, while doing a little wrong, defying the law. Bassanio asks for special treatment that will allow his friend out of the constraints of the law. Notice that Bassanio imports religious language, such as devil, in order to subvert the law. Since Bassanio and Antonio are members of the privileged class they see any law that works against them as unfair and therefore inapplicable or mutable.
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— Caitlin, Owl Eyes Staff
Bassanio pledges his whole self to Antonio before the court. This ironically occurs in front of his wife, to whom he should have already pledged his soul and body. Portia must relieve Antonio of his bond so that her husband is not indebted and bound to his friend but rather indebted and bound to her.
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— Caitlin, Owl Eyes Staff
Notice how many times Portia repeats the word "justice" at the end of her speech. The repetition of this word is intended to make the audience question Portia's sincerity.
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— Caitlin, Owl Eyes Staff
Notice that within her speech about divine mercy and forgiveness, Portia still refers to Shylock as "Jew" rather than by name. This is a sign of disrespect. Portia sees Shylock as a label rather than as a person. There is no understanding, forgiveness, or mercy towards Shylock within this speech; ironically, it is a speech about empathy that is devoid of actual empathy.
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— Caitlin, Owl Eyes Staff
Portia's understanding of mercy comes from a Christian context in which mercy takes the form of forgiveness from the divine. In Judaism, mercy comes from personal atonement rather than divine mercy. On Yom Kuppur, one fasts, prays, and undertakes apology and restitution for their sins in order to seek atonement, rather than forgiveness, from God. Portia's speech about mercy demonstrates that she does not understand her audience or his faith. She preaches Christian forgiveness to a man who's faith values atonement, restitution, and payment of debt.
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— Caitlin, Owl Eyes Staff
Portia's argument here is that "mercy" better demonstrates a monarch's right to rule than symbols of wealth and power, such as a crown, throne, or sceptre. Portia essentially states that power comes from mercy rather than privilege. However, her privileged position as a Christian heiress makes this statement both condescending and ignorant to the plight of marginalized, and systemically powerless, people such as Shylock.
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— Caitlin, Owl Eyes Staff
Notice the religious underpinnings of this speech. Portia makes an argument about mercy that is set within a Christian context; she argues that Shylock should be merciful because it will bring him closer to God. However, in holding Shylock to a Christian standard of mercy, Portia disregards both the law and Shylock's Judaism.
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— Caitlin, Owl Eyes Staff
The clerk reads the following letter to establish legitimacy for "Balthasar" before he has entered the court. It is unclear whether or not Portia wrote this letter herself or got her cousin Bellario to write it for her. What is interesting is that Portia seems to actually know something about the law. Her knowledge transcends her disguise, which suggests either that Bellario has taught her something about the law or she has privately studied it.
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— Caitlin, Owl Eyes Staff
Shylock has complete confidence that in standing by the law his means will be protected. Ironically this confidence will be his downfall. He ignores the spirit of the law and instead relies on a literal interpretation of the words, which foreshadows how the court will subvert the fulfillment of his bond.
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— Caitlin, Owl Eyes Staff
Here, Gratiano claims that Shylock's soul came from a murderous wolf that transferred itself to Shylock while he was still in his mother's womb. Notice that while Shylock uses animal comparisons to explain his rage, Gratiano metaphorically fuses Shylock with an animal in order to dehumanize him.
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— Caitlin, Owl Eyes Staff
Pythagoras was a Greek philosopher and mathematician who believed in the transmigration of souls. This belief held that the soul was immortal and would transfer itself from one vessel to another when the physical matter, the body, died. This theory contradicts Christian philosophy, which believes that soul transcends the earth to enter the afterlife.
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— Caitlin, Owl Eyes Staff
Shoe soles used to be made of leather, wood, and sometimes iron braces. Shylock could use the sole of his shoe to sharpen the knife he would use to cut Antonio's pound of flesh.
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— Caitlin, Owl Eyes Staff
A "wether" is a castrated sheep or a lamb. In calling himself a "wether" Antonio references the image of the Christian sacrificial lamb. In his metaphor, Antonio is dying for Bassanio's sins in much the same way that Jesus died for man's sins.
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— Caitlin, Owl Eyes Staff
An epitaph is a phrase or statement used to remember someone that has passed. In this line, Antonio offers his life up for Bassanio's happiness and asks him to "write mine epitaph," essentially asking him to carry his memory forever. If Antonio suffers this price, then Bassanio will never be able to repay him for the bond; Bassanio will forever be metaphorically bonded to, married to, Antonio.
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— Caitlin, Owl Eyes Staff
"Dearly bought" can either mean expensively, or paid for in grave personal loss. This line can be performed and heard in two ways. It is either a sign of the money-hungry Shylock claiming that his loss of money means he deserves his pound of flesh, or it is a sign of his humanity. Shylock has lost everything, including his daughter, and now all that is left is his "dearly bought" revenge.
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— Caitlin, Owl Eyes Staff
Shylock claims that he has a right to do what he likes with Antonio's flesh because he bought it, just as the merchants can do what they like with slaves because they bought them. With this metaphor, Shylock points out the Christian's hypocrisy: they support their cruel laws and customs until they are subjected to them.
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— Caitlin, Owl Eyes Staff
England and Venice both heavily profited from the 16th century slave trade. Since Antonio and his friends are rich merchants, it is likely that they either owned slaves or transported slaves along the triangle trade.
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— Caitlin, Owl Eyes Staff
Again the Duke asks Shylock to be better than the Christians in the play. In this question, the Duke inadvertently claims that Shylock must first show mercy before he can be shown mercy. This is ironic because mercy is a cornerstone of the Christian faith, yet none of the Christians showed Shylock mercy earlier in the play.
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— Caitlin, Owl Eyes Staff
Antonio uses the word "judgement" to invoke a religious imagery in this action. Antonio's language positions him as a martyr and elevates the payment of his debt to something sacred.
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— Caitlin, Owl Eyes Staff
Here Antonio compares the "hard Jewish heart" with forces of nature which cannot be changed: the size of the ocean, the wolf that eats the lamb, the pines that sway in the wind. This is another instance of anti-semitism. Antonio assumes Shylock's reasons are just the result of his " evil Jewish nature" rather than grounded in anything real.
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— Caitlin, Owl Eyes Staff
This is an example of stichomythia, a dramatic technique in which characters rapidly exchange dialogue to build tension and emphasize anger or hatred.
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— Caitlin, Owl Eyes Staff
Shylock uses these examples of arbitrary hatred - such as that towards pigs, cats, and bagpipes - as reasoning for hating Antonio. His logic is that if no one is asked to give a firm reason why they hate a rat, then he does not have to give a firm reason why he hates Antonio. While this seems unfeeling, it is also the logic that underpins racism and anti-semitism: Shylock describes hatred that has no basis except belief in the hatred itself.
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— Caitlin, Owl Eyes Staff
By this Shylock means that the instinctive reaction one has often reveals how much they value it. Notice that Shylock speaks in language that sounds proverbial; however, he does not draw his lessons from scripture as he did in the beginning of the play but from revenge.
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— Caitlin, Owl Eyes Staff
Notice that Shylock uses animal imagery within this scene to explain his reasoning. This could be a linguistic reversal of insults Antonio and the Christians used against Jews earlier in the play. Shylock characterizes Antonio as the vermin rat, unclean pig, and shifty cat just as Antonio did to him.
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— Caitlin, Owl Eyes Staff
Gentle puns on the word "gentile," another word for Christians. The Duke narrates what Shylock should do, then ends the speech essentially asking Shylock to imitate the Christians. However, remember that earlier in the play Shylock declared that his adamant desire for revenge was taken from Christian example. Ironically, in attempting to exact revenge, Shylock is imitating the Christians.
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— Caitlin, Owl Eyes Staff
The Duke does not only ask Shylock to forgive Antonio the extreme measures of the bond, but also the repayment of the sum in whole. The Duke asks Shylock to show Antonio the mercy that Antonio never showed him; he expects this marginalized character to be magnanimous while the Christians are allowed to not be.
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— Caitlin, Owl Eyes Staff
Again, Antonio invokes the language of martyrdom. If Antonio positions himself as a martyr who will save Bassanio and the law and order of Venice, then Shylock implicitly becomes the devil who seeks to destroy.
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— Caitlin, Owl Eyes Staff
Notice that the Duke, a supposedly impartial judge, has a clear bias towards Antonio in this case.