Act V
[Belmont] |
Enter Lorenzo and Jessica. |
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Enter Messenger [Stephano]. |
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[Enter Launcelot] |
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Enter Portia and Nerissa. |
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Enter Bassanio, Antonio, Gratiano, and their followers. |
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Exeunt. |
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— Caitlin, Owl Eyes Staff
The play ends on a pun. "Ring" means both the physical jewelry that Nerissa has given Gratiano and was a slang term for a woman's vagina.
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— Caitlin, Owl Eyes Staff
Inter'gatories are questions asked in a courtroom that the defendant must answer. Notice that even after the happy ending has been arranged, the language of contracts, legal boundaries, and obligation are still used to describe their relationships.
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— Caitlin, Owl Eyes Staff
Manna is the divine food of the gods which fell to earth from heaven when the Israelites were exiled to the desert in Exodus. Notice that the Christians evoke Jewish imagery despite having degraded and abused Shylock.
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— Caitlin, Owl Eyes Staff
Remember that Lorenzo knew Portia just by the sound of her voice. Here Bassanio touches on the main problem of his love for Portia: it is based on sight and context rather than actual knowledge. Their love touches on one of the play's major themes the difference between something's appearance and something's content.
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— Caitlin, Owl Eyes Staff
In this context "dumb" means unable to speak. Antonio cannot believe that his ships have come into the harbor, and Portia offers no explanation as to why they have returned or why she knows about it.
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— Caitlin, Owl Eyes Staff
Gratiano compares the lesson that their wives have taught them to roads in summer. The lesson was as unnecessary as fixing roads in the summer time which have not yet been destroyed by weather.
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— Caitlin, Owl Eyes Staff
Portia gives Antonio a ring to give to Bassanio. This symbolically enacts the marriage ceremony: Antonio weds Portia to Bassanio. This cuts Antonio out of the romantic ending and displaces him so that the main bond is between Portia and Bassanio instead of Antonio and Bassanio.
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— Caitlin, Owl Eyes Staff
Notice that Antonio inserts himself into the lovers's quarrel, making himself the subject of their fight and displacing Portia. Portia is immediately dismissive of his claim.
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— Caitlin, Owl Eyes Staff
Portia endowed the ring with the symbolic power of her chastity and her vast wealth and gave it to Bassanio. In giving away her ring, now she belongs to the doctor to whom he gave it —which means that she is in possession of herself as she is the doctor. While the audience hears the comedy in this, Bassanio, who does not yet know that Portia posed as his wife, only hears that she will be unfaithful to him now that he has broken his vow to her.
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— Caitlin, Owl Eyes Staff
Argus is a mythological beast that had a hundred eyes. He was tasked with keeping watch over Io, one of Zeus's mortal lovers.
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— Caitlin, Owl Eyes Staff
Notice how many times Portia and Bassanio say the word "ring" during this exchange. Bassanio's emphasis on the ring is it as an object, where as Portia uses her repetition to demonstrate how the ring is a symbol. It is not only a sign of Bassanio's devotion to Portia but of Portia herself.
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— Caitlin, Owl Eyes Staff
Ironically, Portia does know to whom Bassanio gave the ring, for what purpose, and in what manner. While Bassanio claims that if she knew these things she would readily forgive him, it is actually for these very things that she does not forgive him. In repeating this phrase, Bassanio add to the tension and comedy of the scene.
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— Caitlin, Owl Eyes Staff
Shakespeare uses dramatic irony here to build tension and comedy. Portia and the audience know that Bassanio has given her ring away to the doctor (who was Portia herself). In feigning ignorance to what happened, Portia is able to present herself as an innocent victim and hyperbolize her disappointment.
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— Caitlin, Owl Eyes Staff
By "cutler's poetry" Gratiano means a juvenile verse, similar to the kind of inscription that might be written on a knife. Gratiano adds insult to injury by devaluing the ring, a symbol of his commitment to Nerissa.
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— Caitlin, Owl Eyes Staff
Notice that even though Portia freed Antonio while disguised as the doctor, these two men are still bound to each other. Portia must now use the ring to redirect Bassanio's love and faithfulness onto herself.
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— Caitlin, Owl Eyes Staff
By "light" Portia means unfaithful. Notice that Portia greets her husband's return with a pledge of her faithfulness, which she knows he has broken by giving away her ring.
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— Caitlin, Owl Eyes Staff
In Shakespeare's time, many people believed that on the opposite side of the world there were people who walked on their hands with their feet in the air.
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— Caitlin, Owl Eyes Staff
Notice that Lorenzo immediately recognizes Portia by her voice while Bassanio could not recognize her by appearance or voice during the trial. Even though Portia was in disguise in Venice, the immediate recognition that occurs in this scene problematizes Bassanio's easy acceptance of Portia's disguise.
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— Caitlin, Owl Eyes Staff
Endymion was a handsome shepherd who was half mortal and half god. In the myth, Selene, the Greek goddess of the moon, falls madly in love with Endymion. She asks his father, Zeus, to give him eternal life so that he can remain ever beautiful. However, in granting her request Zeus also gives his son eternal slumber.
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— Caitlin, Owl Eyes Staff
Portia's poetic description of the candle and the moon underscore her own relationship. Portia, like the little candle in her house, is being over shadowed by a "greater glory," Bassanio's love for Antonio.
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— Caitlin, Owl Eyes Staff
Erebus was a dark place in Greek mythology that lay between Earth and Hades, life and death. Lorenzo equates a descent from life into Hades to not liking music. Because Jessica has just said that she does not like music, this criticism seems to be directed at her.
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— Caitlin, Owl Eyes Staff
Orpheus is a musician from Ovid's Metamorphosis who played such beautiful music that even the stones and the floods paid attention to him.
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— Caitlin, Owl Eyes Staff
Remember that Shylock earlier expressed a hatred for music in his house and was chided for it. Jessica is the only other character in the play who dislikes music. Here it shows that she does not fully fit into Lorenzo's world.
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— Caitlin, Owl Eyes Staff
"Sola, sola" is a vocal expression used to imitate the sound of a horn that announces a messenger's arrival.
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— Caitlin, Owl Eyes Staff
By "holy crosses" the messenger means roadside shrines. He uses this metaphor to show the audience that Portia is traveling and that she is anxious. By kneeling and praying for her husband Jessica and Lorenzo may hear that she is worried about the situation between Antonio and Shylock. However, as we have just witnessed the resolution of that problem, we know that she is more anxious that Bassanio loves Antonio more than her.
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— Caitlin, Owl Eyes Staff
Lorenzo and Jessica recount these famous stories of lovers in anticipation in order to classify their love as one of the great love stories in history. This catalogue of tragic lovers is ironically comedic however, because each of the love stories they mention ends tragically with the lovers betraying each other or dying.
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— Caitlin, Owl Eyes Staff
Medea is a character from Greek mythology who creates a potion that makes Aeson, her lover Jason's father, young again. She later murders her children after Jason abandons her to marry King Creon's daughter Glauce.
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— Caitlin, Owl Eyes Staff
Dido is a character from Virgil's Aeneid. Aeneas delays his journey to find a second home after the fall of Troy when he falls in love with Dido and stays in Carthage. When Mercury is sent to remind Aeneas of his mission, he abandons Dido. Heartbroken, Dido commits suicide atop a funeral pyre.
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— Caitlin, Owl Eyes Staff
Pyramus and Thisbe are lovers from an Ovidian myth separated by a wall and their family's feud. They fall in love through a crack in the wall and agree to meet each other outside their houses under the Mulberry tree. Thisbe arrives first and is scarred off by a lion. Pyramus arrives to find his love's scarf and the lion, and fearing she has been eaten, kills himself out of grief. When she returns to meet her lover, Thisbe finds Pyramus dead and commits suicide as well.
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— Caitlin, Owl Eyes Staff
Troilus and Cressida is a medieval story by Chaucer and later retold by Shakespeare that takes place during the Trojan War. As punishment for mocking love, Troilus is struck by Cupid's arrow and falls madly in love with Cressida, a Trojan woman. They exchange love letters and eventually spend the night together. When Cressida is traded to the Greeks for a Trojan prisoner of war, she promises to return to her lover. But when this becomes impossible, she takes up another lover in the Greek camp and betrays her promises to Troilus.
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— Caitlin, Owl Eyes Staff
Here, Lorenzo claims that there is something inherently wrong with people who do not like music. They are deceptive and lower than animals as animals are even moved by "sweet sounds." Shylock and Jessica are the only two characters in the play who express distaste for music, suggesting that they have a darker disposition or propensity for treason. Notice that these lines occur after Shylock has been defeated and Portia has claimed that Christians should have mercy. This suggests that the Christians have learned nothing and that the antisemitic hierarchy persists in Venice.