Antigone
ANTIGONE and ISMENE before the Palace gates.
ANTIGONE
Ismene, sister of my blood and heart,
See'st thou how Zeus would in our lives fulfill
The weird of Oedipus, a world of woes!
For what of pain, affliction, outrage, shame,
Is lacking in our fortunes, thine and mine?
And now this proclamation of today
Made by our Captain-General to the State,
What can its purport be? Didst hear and heed,
Or art thou deaf when friends are banned as foes?
ISMENE
To me, Antigone, no word of friends
Has come, or glad or grievous, since we twain
Were reft of our two brethren in one day
By double fratricide; and since i' the night
Our Argive leaguers fled, no later news
Has reached me, to inspirit or deject.
ANTIGONE
I know 'twas so, and therefore summoned thee
Beyond the gates to breathe it in thine ear.
ISMENE
What is it? Some dark secret stirs thy breast.
ANTIGONE
What but the thought of our two brothers dead,
The one by Creon graced with funeral rites,
The other disappointed? Eteocles
He hath consigned to earth (as fame reports)
With obsequies that use and wont ordain,
So gracing him among the dead below.
But Polyneices, a dishonored corse,
(So by report the royal edict runs)
No man may bury him or make lament--
Must leave him tombless and unwept, a feast
For kites to scent afar and swoop upon.
Such is the edict (if report speak true)
Of Creon, our most noble Creon, aimed
At thee and me, aye me too; and anon
He will be here to promulgate, for such
As have not heard, his mandate; 'tis in sooth
No passing humor, for the edict says
Whoe'er transgresses shall be stoned to death.
So stands it with us; now 'tis thine to show
If thou art worthy of thy blood or base.
ISMENE
But how, my rash, fond sister, in such case
Can I do anything to make or mar?
ANTIGONE
Say, wilt thou aid me and abet? Decide.
ISMENE
In what bold venture? What is in thy thought?
ANTIGONE
Lend me a hand to bear the corpse away.
ISMENE
What, bury him despite the interdict?
ANTIGONE
My brother, and, though thou deny him, thine
No man shall say that I betrayed a brother.
ISMENE
Wilt thou persist, though Creon has forbid?
ANTIGONE
What right has he to keep me from my own?
ISMENE
Bethink thee, sister, of our father's fate,
Abhorred, dishonored, self-convinced of sin,
Blinded, himself his executioner.
Think of his mother-wife (ill sorted names)
Done by a noose herself had twined to death
And last, our hapless brethren in one day,
Both in a mutual destiny involved,
Self-slaughtered, both the slayer and the slain.
Bethink thee, sister, we are left alone;
Shall we not perish wretchedest of all,
If in defiance of the law we cross
A monarch's will?--weak women, think of that,
Not framed by nature to contend with men.
Remember this too that the stronger rules;
We must obey his orders, these or worse.
Therefore I plead compulsion and entreat
The dead to pardon. I perforce obey
The powers that be. 'Tis foolishness, I ween,
To overstep in aught the golden mean.
ANTIGONE
I urge no more; nay, wert thou willing still,
I would not welcome such a fellowship.
Go thine own way; myself will bury him.
How sweet to die in such employ, to rest,--
Sister and brother linked in love's embrace--
A sinless sinner, banned awhile on earth,
But by the dead commended; and with them
I shall abide for ever. As for thee,
Scorn, if thou wilt, the eternal laws of Heaven.
ISMENE
I scorn them not, but to defy the State
Or break her ordinance I have no skill.
ANTIGONE
A specious pretext. I will go alone
To lap my dearest brother in the grave.
ISMENE
My poor, fond sister, how I fear for thee!
ANTIGONE
O waste no fears on me; look to thyself.
ISMENE
At least let no man know of thine intent,
But keep it close and secret, as will I.
ANTIGONE
O tell it, sister; I shall hate thee more
If thou proclaim it not to all the town.
ISMENE
Thou hast a fiery soul for numbing work.
ANTIGONE
I pleasure those whom I would liefest please.
ISMENE
If thou succeed; but thou art doomed to fail.
ANTIGONE
When strength shall fail me, yes, but not before.
ISMENE
But, if the venture's hopeless, why essay?
ANTIGONE
Sister, forbear, or I shall hate thee soon,
And the dead man will hate thee too, with cause.
Say I am mad and give my madness rein
To wreck itself; the worst that can befall
Is but to die an honorable death.
ISMENE
Have thine own way then; 'tis a mad endeavor,
Yet to thy lovers thou art dear as ever.
[Exeunt]
CHORUS
(Str. 1)
Sunbeam, of all that ever dawn upon
Our seven-gated Thebes the brightest ray,
O eye of golden day,
How fair thy light o'er Dirce's fountain shone,
Speeding upon their headlong homeward course,
Far quicker than they came, the Argive force;
Putting to flight
The argent shields, the host with scutcheons white.
Against our land the proud invader came
To vindicate fell Polyneices' claim.
Like to an eagle swooping low,
On pinions white as new fall'n snow.
With clanging scream, a horsetail plume his crest,
The aspiring lord of Argos onward pressed.
(Ant. 1)
Hovering around our city walls he waits,
His spearmen raven at our seven gates.
But ere a torch our crown of towers could burn,
Ere they had tasted of our blood, they turn
Forced by the Dragon; in their rear
The din of Ares panic-struck they hear.
For Zeus who hates the braggart's boast
Beheld that gold-bespangled host;
As at the goal the paean they upraise,
He struck them with his forked lightning blaze.
(Str. 2)
To earthy from earth rebounding, down he crashed;
The fire-brand from his impious hand was dashed,
As like a Bacchic reveler on he came,
Outbreathing hate and flame,
And tottered. Elsewhere in the field,
Here, there, great Area like a war-horse wheeled;
Beneath his car down thrust
Our foemen bit the dust.
Seven captains at our seven gates
Thundered; for each a champion waits,
Each left behind his armor bright,
Trophy for Zeus who turns the fight;
Save two alone, that ill-starred pair
One mother to one father bare,
Who lance in rest, one 'gainst the other
Drave, and both perished, brother slain by brother.
(Ant. 2)
Now Victory to Thebes returns again
And smiles upon her chariot-circled plain.
Now let feast and festal should
Memories of war blot out.
Let us to the temples throng,
Dance and sing the live night long.
God of Thebes, lead thou the round.
Bacchus, shaker of the ground!
Let us end our revels here;
Lo! Creon our new lord draws near,
Crowned by this strange chance, our king.
What, I marvel, pondering?
Why this summons? Wherefore call
Us, his elders, one and all,
Bidding us with him debate,
On some grave concern of State?
[Enter CREON]
CREON
Elders, the gods have righted one again
Our storm-tossed ship of state, now safe in port.
But you by special summons I convened
As my most trusted councilors; first, because
I knew you loyal to Laius of old;
Again, when Oedipus restored our State,
Both while he ruled and when his rule was o'er,
Ye still were constant to the royal line.
Now that his two sons perished in one day,
Brother by brother murderously slain,
By right of kinship to the Princes dead,
I claim and hold the throne and sovereignty.
Yet 'tis no easy matter to discern
The temper of a man, his mind and will,
Till he be proved by exercise of power;
And in my case, if one who reigns supreme
Swerve from the highest policy, tongue-tied
By fear of consequence, that man I hold,
And ever held, the basest of the base.
And I contemn the man who sets his friend
Before his country. For myself, I call
To witness Zeus, whose eyes are everywhere,
If I perceive some mischievous design
To sap the State, I will not hold my tongue;
Nor would I reckon as my private friend
A public foe, well knowing that the State
Is the good ship that holds our fortunes all:
Farewell to friendship, if she suffers wreck.
Such is the policy by which I seek
To serve the Commons and conformably
I have proclaimed an edict as concerns
The sons of Oedipus; Eteocles
Who in his country's battle fought and fell,
The foremost champion--duly bury him
With all observances and ceremonies
That are the guerdon of the heroic dead.
But for the miscreant exile who returned
Minded in flames and ashes to blot out
His father's city and his father's gods,
And glut his vengeance with his kinsmen's blood,
Or drag them captive at his chariot wheels--
For Polyneices 'tis ordained that none
Shall give him burial or make mourn for him,
But leave his corpse unburied, to be meat
For dogs and carrion crows, a ghastly sight.
So am I purposed; never by my will
Shall miscreants take precedence of true men,
But all good patriots, alive or dead,
Shall be by me preferred and honored.
CHORUS
Son of Menoeceus, thus thou will'st to deal
With him who loathed and him who loved our State.
Thy word is law; thou canst dispose of us
The living, as thou will'st, as of the dead.
CREON
See then ye execute what I ordain.
CHORUS
On younger shoulders lay this grievous charge.
CREON
Fear not, I've posted guards to watch the corpse.
CHORUS
What further duty would'st thou lay on us?
CREON
Not to connive at disobedience.
CHORUS
No man is mad enough to court his death.
CREON
The penalty is death: yet hope of gain
Hath lured men to their ruin oftentimes.
[Enter GUARD]
GUARD
My lord, I will not make pretense to pant
And puff as some light-footed messenger.
In sooth my soul beneath its pack of thought
Made many a halt and turned and turned again;
For conscience plied her spur and curb by turns.
"Why hurry headlong to thy fate, poor fool?"
She whispered. Then again, "If Creon learn
This from another, thou wilt rue it worse."
Thus leisurely I hastened on my road;
Much thought extends a furlong to a league.
But in the end the forward voice prevailed,
To face thee. I will speak though I say nothing.
For plucking courage from despair methought,
'Let the worst hap, thou canst but meet thy fate.'
CREON
What is thy news? Why this despondency?
GUARD
Let me premise a word about myself?
I neither did the deed nor saw it done,
Nor were it just that I should come to harm.
CREON
Thou art good at parry, and canst fence about
Some matter of grave import, as is plain.
GUARD
The bearer of dread tidings needs must quake.
CREON
Then, sirrah, shoot thy bolt and get thee gone.
GUARD
Well, it must out; the corpse is buried; someone
E'en now besprinkled it with thirsty dust,
Performed the proper ritual--and was gone.
CREON
What say'st thou? Who hath dared to do this thing?
GUARD
I cannot tell, for there was ne'er a trace
Of pick or mattock--hard unbroken ground,
Without a scratch or rut of chariot wheels,
No sign that human hands had been at work.
When the first sentry of the morning watch
Gave the alarm, we all were terror-stricken.
The corpse had vanished, not interred in earth,
But strewn with dust, as if by one who sought
To avert the curse that haunts the unburied dead:
Of hound or ravening jackal, not a sign.
Thereat arose an angry war of words;
Guard railed at guard and blows were like to end it,
For none was there to part us, each in turn
Suspected, but the guilt brought home to none,
From lack of evidence. We challenged each
The ordeal, or to handle red-hot iron,
Or pass through fire, affirming on our oath
Our innocence--we neither did the deed
Ourselves, nor know who did or compassed it.
Our quest was at a standstill, when one spake
And bowed us all to earth like quivering reeds,
For there was no gainsaying him nor way
To escape perdition:Ye are bound to tell
The King, ye cannot hide it; so he spake.
And he convinced us all; so lots were cast,
And I, unlucky scapegoat, drew the prize.
So here I am unwilling and withal
Unwelcome; no man cares to hear ill news.
CHORUS
I had misgivings from the first, my liege,
Of something more than natural at work.
CREON
O cease, you vex me with your babblement;
I am like to think you dote in your old age.
Is it not arrant folly to pretend
That gods would have a thought for this dead man?
Did they forsooth award him special grace,
And as some benefactor bury him,
Who came to fire their hallowed sanctuaries,
To sack their shrines, to desolate their land,
And scout their ordinances? Or perchance
The gods bestow their favors on the bad.
No! no! I have long noted malcontents
Who wagged their heads, and kicked against the yoke,
Misliking these my orders, and my rule.
'Tis they, I warrant, who suborned my guards
By bribes. Of evils current upon earth
The worst is money. Money 'tis that sacks
Cities, and drives men forth from hearth and home;
Warps and seduces native innocence,
And breeds a habit of dishonesty.
But they who sold themselves shall find their greed
Out-shot the mark, and rue it soon or late.
Yea, as I still revere the dread of Zeus,
By Zeus I swear, except ye find and bring
Before my presence here the very man
Who carried out this lawless burial,
Death for your punishment shall not suffice.
Hanged on a cross, alive ye first shall make
Confession of this outrage. This will teach you
What practices are like to serve your turn.
There are some villainies that bring no gain.
For by dishonesty the few may thrive,
The many come to ruin and disgrace.
GUARD
May I not speak, or must I turn and go
Without a word?--
CREON
Begone! canst thou not see
That e'en this question irks me?
GUARD
Where, my lord?
Is it thy ears that suffer, or thy heart?
CREON
Why seek to probe and find the seat of pain?
GUARD
I gall thine ears--this miscreant thy mind.
CREON
What an inveterate babbler! get thee gone!
GUARD
Babbler perchance, but innocent of the crime.
CREON
Twice guilty, having sold thy soul for gain.
GUARD
Alas! how sad when reasoners reason wrong.
CREON
Go, quibble with thy reason. If thou fail'st
To find these malefactors, thou shalt own
The wages of ill-gotten gains is death.
[Exit CREON]
GUARD
I pray he may be found. But caught or not
(And fortune must determine that) thou never
Shalt see me here returning; that is sure.
For past all hope or thought I have escaped,
And for my safety owe the gods much thanks.
CHORUS
(Str. 1)
Many wonders there be, but naught more wondrous than man;
Over the surging sea, with a whitening south wind wan,
Through the foam of the firth, man makes his perilous way;
And the eldest of deities Earth that knows not toil nor decay
Ever he furrows and scores, as his team, year in year out,
With breed of the yoked horse, the ploughshare turneth about.
(Ant. 1)
The light-witted birds of the air, the beasts of the weald and the wood
He traps with his woven snare, and the brood of the briny flood.
Master of cunning he: the savage bull, and the hart
Who roams the mountain free, are tamed by his infinite art;
And the shaggy rough-maned steed is broken to bear the bit.
(Str. 2)
Speech and the wind-swift speed of counsel and civic wit,
He hath learnt for himself all these; and the arrowy rain to fly
And the nipping airs that freeze, 'neath the open winter sky.
He hath provision for all: fell plague he hath learnt to endure;
Safe whate'er may befall: yet for death he hath found no cure.
(Ant. 2)
Passing the wildest flight thought are the cunning and skill,
That guide man now to the light, but now to counsels of ill.
If he honors the laws of the land, and reveres the Gods of the State
Proudly his city shall stand; but a cityless outcast I rate
Whoso bold in his pride from the path of right doth depart;
Ne'er may I sit by his side, or share the thoughts of his heart.
What strange vision meets my eyes,
Fills me with a wild surprise?
Sure I know her, sure 'tis she,
The maid Antigone.
Hapless child of hapless sire,
Didst thou recklessly conspire,
Madly brave the King's decree?
Therefore are they haling thee?
[Enter GUARD bringing ANTIGONE]
GUARD
Here is the culprit taken in the act
Of giving burial. But where's the King?
CHORUS
There from the palace he returns in time.
[Enter CREON]
CREON
Why is my presence timely? What has chanced?
GUARD
No man, my lord, should make a vow, for if
He ever swears he will not do a thing,
His afterthoughts belie his first resolve.
When from the hail-storm of thy threats I fled
I sware thou wouldst not see me here again;
But the wild rapture of a glad surprise
Intoxicates, and so I'm here forsworn.
And here's my prisoner, caught in the very act,
Decking the grave. No lottery this time;
This prize is mine by right of treasure-trove.
So take her, judge her, rack her, if thou wilt.
She's thine, my liege; but I may rightly claim
Hence to depart well quit of all these ills.
CREON
Say, how didst thou arrest the maid, and where?
GUARD
Burying the man. There's nothing more to tell.
CREON
Hast thou thy wits? Or know'st thou what thou say'st?
GUARD
I saw this woman burying the corpse
Against thy orders. Is that clear and plain?
CREON
But how was she surprised and caught in the act?
GUARD
It happened thus. No sooner had we come,
Driven from thy presence by those awful threats,
Than straight we swept away all trace of dust,
And bared the clammy body. Then we sat
High on the ridge to windward of the stench,
While each man kept he fellow alert and rated
Roundly the sluggard if he chanced to nap.
So all night long we watched, until the sun
Stood high in heaven, and his blazing beams
Smote us. A sudden whirlwind then upraised
A cloud of dust that blotted out the sky,
And swept the plain, and stripped the woodlands bare,
And shook the firmament. We closed our eyes
And waited till the heaven-sent plague should pass.
At last it ceased, and lo! there stood this maid.
A piercing cry she uttered, sad and shrill,
As when the mother bird beholds her nest
Robbed of its nestlings; even so the maid
Wailed as she saw the body stripped and bare,
And cursed the ruffians who had done this deed.
Anon she gathered handfuls of dry dust,
Then, holding high a well-wrought brazen urn,
Thrice on the dead she poured a lustral stream.
We at the sight swooped down on her and seized
Our quarry. Undismayed she stood, and when
We taxed her with the former crime and this,
She disowned nothing. I was glad--and grieved;
For 'tis most sweet to 'scape oneself scot-free,
And yet to bring disaster to a friend
Is grievous. Take it all in all, I deem
A man's first duty is to serve himself.
CREON
Speak, girl, with head bent low and downcast eyes,
Does thou plead guilty or deny the deed?
ANTIGONE
Guilty. I did it, I deny it not.
CREON [to GUARD]
Sirrah, begone whither thou wilt, and thank
Thy luck that thou hast 'scaped a heavy charge.
[To ANTIGONE]
Now answer this plain question, yes or no,
Wast thou acquainted with the interdict?
ANTIGONE
I knew, all knew; how should I fail to know?
CREON
And yet wert bold enough to break the law?
ANTIGONE
Yea, for these laws were not ordained of Zeus,
And she who sits enthroned with gods below,
Justice, enacted not these human laws.
Nor did I deem that thou, a mortal man,
Could'st by a breath annul and override
The immutable unwritten laws of Heaven.
They were not born today nor yesterday;
They die not; and none knoweth whence they sprang.
I was not like, who feared no mortal's frown,
To disobey these laws and so provoke
The wrath of Heaven. I knew that I must die,
E'en hadst thou not proclaimed it; and if death
Is thereby hastened, I shall count it gain.
For death is gain to him whose life, like mine,
Is full of misery. Thus my lot appears
Not sad, but blissful; for had I endured
To leave my mother's son unburied there,
I should have grieved with reason, but not now.
And if in this thou judgest me a fool,
Methinks the judge of folly's not acquit.
CHORUS
A stubborn daughter of a stubborn sire,
This ill-starred maiden kicks against the pricks.
CREON
Well, let her know the stubbornest of wills
Are soonest bended, as the hardest iron,
O'er-heated in the fire to brittleness,
Flies soonest into fragments, shivered through.
A snaffle curbs the fieriest steed, and he
Who in subjection lives must needs be meek.
But this proud girl, in insolence well-schooled,
First overstepped the established law, and then--
A second and worse act of insolence--
She boasts and glories in her wickedness.
Now if she thus can flout authority
Unpunished, I am woman, she the man.
But though she be my sister's child or nearer
Of kin than all who worship at my hearth,
Nor she nor yet her sister shall escape
The utmost penalty, for both I hold,
As arch-conspirators, of equal guilt.
Bring forth the older; even now I saw her
Within the palace, frenzied and distraught.
The workings of the mind discover oft
Dark deeds in darkness schemed, before the act.
More hateful still the miscreant who seeks
When caught, to make a virtue of a crime.
ANTIGONE
Would'st thou do more than slay thy prisoner?
CREON
Not I, thy life is mine, and that's enough.
ANTIGONE
Why dally then? To me no word of thine
Is pleasant: God forbid it e'er should please;
Nor am I more acceptable to thee.
And yet how otherwise had I achieved
A name so glorious as by burying
A brother? so my townsmen all would say,
Where they not gagged by terror, Manifold
A king's prerogatives, and not the least
That all his acts and all his words are law.
CREON
Of all these Thebans none so deems but thou.
ANTIGONE
These think as I, but bate their breath to thee.
CREON
Hast thou no shame to differ from all these?
ANTIGONE
To reverence kith and kin can bring no shame.
CREON
Was his dead foeman not thy kinsman too?
ANTIGONE
One mother bare them and the self-same sire.
CREON
Why cast a slur on one by honoring one?
ANTIGONE
The dead man will not bear thee out in this.
CREON
Surely, if good and evil fare alive.
ANTIGONE
The slain man was no villain but a brother.
CREON
The patriot perished by the outlaw's brand.
ANTIGONE
Nathless the realms below these rites require.
CREON
Not that the base should fare as do the brave.
ANTIGONE
Who knows if this world's crimes are virtues there?
CREON
Not even death can make a foe a friend.
ANTIGONE
My nature is for mutual love, not hate.
CREON
Die then, and love the dead if thou must;
No woman shall be the master while I live.
[Enter ISMENE]
CHORUS
Lo from out the palace gate,
Weeping o'er her sister's fate,
Comes Ismene; see her brow,
Once serene, beclouded now,
See her beauteous face o'erspread
With a flush of angry red.
CREON
Woman, who like a viper unperceived
Didst harbor in my house and drain my blood,
Two plagues I nurtured blindly, so it proved,
To sap my throne. Say, didst thou too abet
This crime, or dost abjure all privity?
ISMENE
I did the deed, if she will have it so,
And with my sister claim to share the guilt.
ANTIGONE
That were unjust. Thou would'st not act with me
At first, and I refused thy partnership.
ISMENE
But now thy bark is stranded, I am bold
To claim my share as partner in the loss.
ANTIGONE
Who did the deed the under-world knows well:
A friend in word is never friend of mine.
ISMENE
O sister, scorn me not, let me but share
Thy work of piety, and with thee die.
ANTIGONE
Claim not a work in which thou hadst no hand;
One death sufficeth. Wherefore should'st thou die?
ISMENE
What would life profit me bereft of thee?
ANTIGONE
Ask Creon, he's thy kinsman and best friend.
ISMENE
Why taunt me? Find'st thou pleasure in these gibes?
ANTIGONE
'Tis a sad mockery, if indeed I mock.
ISMENE
O say if I can help thee even now.
ANTIGONE
No, save thyself; I grudge not thy escape.
ISMENE
Is e'en this boon denied, to share thy lot?
ANTIGONE
Yea, for thou chosed'st life, and I to die.
ISMENE
Thou canst not say that I did not protest.
ANTIGONE
Well, some approved thy wisdom, others mine.
ISMENE
But now we stand convicted, both alike.
ANTIGONE
Fear not; thou livest, I died long ago
Then when I gave my life to save the dead.
CREON
Both maids, methinks, are crazed. One suddenly
Has lost her wits, the other was born mad.
ISMENE
Yea, so it falls, sire, when misfortune comes,
The wisest even lose their mother wit.
CREON
I' faith thy wit forsook thee when thou mad'st
Thy choice with evil-doers to do ill.
ISMENE
What life for me without my sister here?
CREON
Say not thy sister here: thy sister's dead.
ISMENE
What, wilt thou slay thy own son's plighted bride?
CREON
Aye, let him raise him seed from other fields.
ISMENE
No new espousal can be like the old.
CREON
A plague on trulls who court and woo our sons.
ANTIGONE
O Haemon, how thy sire dishonors thee!
CREON
A plague on thee and thy accursed bride!
CHORUS
What, wilt thou rob thine own son of his bride?
CREON
'Tis death that bars this marriage, not his sire.
CHORUS
So her death-warrant, it would seem, is sealed.
CREON
By you, as first by me; off with them, guards,
And keep them close. Henceforward let them learn
To live as women use, not roam at large.
For e'en the bravest spirits run away
When they perceive death pressing on life's heels.
CHORUS
(Str. 1)
Thrice blest are they who never tasted pain!
If once the curse of Heaven attaint a race,
The infection lingers on and speeds apace,
Age after age, and each the cup must drain.
So when Etesian blasts from Thrace downpour
Sweep o'er the blackening main and whirl to land
From Ocean's cavernous depths his ooze and sand,
Billow on billow thunders on the shore.
(Ant. 1)
On the Labdacidae I see descending
Woe upon woe; from days of old some god
Laid on the race a malison, and his rod
Scourges each age with sorrows never ending.
The light that dawned upon its last born son
Is vanished, and the bloody axe of Fate
Has felled the goodly tree that blossomed late.
O Oedipus, by reckless pride undone!
(Str. 2)
Thy might, O Zeus, what mortal power can quell?
Not sleep that lays all else beneath its spell,
Nor moons that never tier: untouched by Time,
Throned in the dazzling light
That crowns Olympus' height,
Thou reignest King, omnipotent, sublime.
Past, present, and to be,
All bow to thy decree,
All that exceeds the mean by Fate
Is punished, Love or Hate.
(Ant. 2)
Hope flits about never-wearying wings;
Profit to some, to some light loves she brings,
But no man knoweth how her gifts may turn,
Till 'neath his feet the treacherous ashes burn.
Sure 'twas a sage inspired that spake this word;
If evil good appear
To any, Fate is near;
And brief the respite from her flaming sword.
Hither comes in angry mood
Haemon, latest of thy brood;
Is it for his bride he's grieved,
Or her marriage-bed deceived,
Doth he make his mourn for thee,
Maid forlorn, Antigone?
[Enter HAEMON]
CREON
Soon shall we know, better than seer can tell.
Learning may fixed decree anent thy bride,
Thou mean'st not, son, to rave against thy sire?
Know'st not whate'er we do is done in love?
HAEMON
O father, I am thine, and I will take
Thy wisdom as the helm to steer withal.
Therefore no wedlock shall by me be held
More precious than thy loving goverance.
CREON
Well spoken: so right-minded sons should feel,
In all deferring to a father's will.
For 'tis the hope of parents they may rear
A brood of sons submissive, keen to avenge
Their father's wrongs, and count his friends their own.
But who begets unprofitable sons,
He verily breeds trouble for himself,
And for his foes much laughter. Son, be warned
And let no woman fool away thy wits.
Ill fares the husband mated with a shrew,
And her embraces very soon wax cold.
For what can wound so surely to the quick
As a false friend? So spue and cast her off,
Bid her go find a husband with the dead.
For since I caught her openly rebelling,
Of all my subjects the one malcontent,
I will not prove a traitor to the State.
She surely dies. Go, let her, if she will,
Appeal to Zeus the God of Kindred, for
If thus I nurse rebellion in my house,
Shall not I foster mutiny without?
For whoso rules his household worthily,
Will prove in civic matters no less wise.
But he who overbears the laws, or thinks
To overrule his rulers, such as one
I never will allow. Whome'er the State
Appoints must be obeyed in everything,
But small and great, just and unjust alike.
I warrant such a one in either case
Would shine, as King or subject; such a man
Would in the storm of battle stand his ground,
A comrade leal and true; but Anarchy--
What evils are not wrought by Anarchy!
She ruins States, and overthrows the home,
She dissipates and routs the embattled host;
While discipline preserves the ordered ranks.
Therefore we must maintain authority
And yield to title to a woman's will.
Better, if needs be, men should cast us out
Than hear it said, a woman proved his match.
CHORUS
To me, unless old age have dulled wits,
Thy words appear both reasonable and wise.
HAEMON
Father, the gods implant in mortal men
Reason, the choicest gift bestowed by heaven.
'Tis not for me to say thou errest, nor
Would I arraign thy wisdom, if I could;
And yet wise thoughts may come to other men
And, as thy son, it falls to me to mark
The acts, the words, the comments of the crowd.
The commons stand in terror of thy frown,
And dare not utter aught that might offend,
But I can overhear their muttered plaints,
Know how the people mourn this maiden doomed
For noblest deeds to die the worst of deaths.
When her own brother slain in battle lay
Unsepulchered, she suffered not his corse
To lie for carrion birds and dogs to maul:
Should not her name (they cry) be writ in gold?
Such the low murmurings that reach my ear.
O father, nothing is by me more prized
Than thy well-being, for what higher good
Can children covet than their sire's fair fame,
As fathers too take pride in glorious sons?
Therefore, my father, cling not to one mood,
And deemed not thou art right, all others wrong.
For whoso thinks that wisdom dwells with him,
That he alone can speak or think aright,
Such oracles are empty breath when tried.
The wisest man will let himself be swayed
By others' wisdom and relax in time.
See how the trees beside a stream in flood
Save, if they yield to force, each spray unharmed,
But by resisting perish root and branch.
The mariner who keeps his mainsheet taut,
And will not slacken in the gale, is like
To sail with thwarts reversed, keel uppermost.
Relent then and repent thee of thy wrath;
For, if one young in years may claim some sense,
I'll say 'tis best of all to be endowed
With absolute wisdom; but, if that's denied,
(And nature takes not readily that ply)
Next wise is he who lists to sage advice.
CHORUS
If he says aught in season, heed him, King.
[To HAEMON]
Heed thou thy sire too; both have spoken well.
CREON
What, would you have us at our age be schooled,
Lessoned in prudence by a beardless boy?
HAEMON
I plead for justice, father, nothing more.
Weigh me upon my merit, not my years.
CREON
Strange merit this to sanction lawlessness!
HAEMON
For evil-doers I would urge no plea.
CREON
Is not this maid an arrant law-breaker?
HAEMON
The Theban commons with one voice say, No.
CREON
What, shall the mob dictate my policy?
HAEMON
'Tis thou, methinks, who speakest like a boy.
CREON
Am I to rule for others, or myself?
HAEMON
A State for one man is no State at all.
CREON
The State is his who rules it, so 'tis held.
HAEMON
As monarch of a desert thou wouldst shine.
CREON
This boy, methinks, maintains the woman's cause.
HAEMON
If thou be'st woman, yes. My thought's for thee.
CREON
O reprobate, would'st wrangle with thy sire?
HAEMON
Because I see thee wrongfully perverse.
CREON
And am I wrong, if I maintain my rights?
HAEMON
Talk not of rights; thou spurn'st the due of Heaven
CREON
O heart corrupt, a woman's minion thou!
HAEMON
Slave to dishonor thou wilt never find me.
CREON
Thy speech at least was all a plea for her.
HAEMON
And thee and me, and for the gods below.
CREON
Living the maid shall never be thy bride.
HAEMON
So she shall die, but one will die with her.
CREON
Hast come to such a pass as threaten me?
HAEMON
What threat is this, vain counsels to reprove?
CREON
Vain fool to instruct thy betters; thou shall rue it.
HAEMON
Wert not my father, I had said thou err'st.
CREON
Play not the spaniel, thou a woman's slave.
HAEMON
When thou dost speak, must no man make reply?
CREON
This passes bounds. By heaven, thou shalt not rate
And jeer and flout me with impunity.
Off with the hateful thing that she may die
At once, beside her bridegroom, in his sight.
HAEMON
Think not that in my sight the maid shall die,
Or by my side; never shalt thou again
Behold my face hereafter. Go, consort
With friends who like a madman for their mate.
[Exit HAEMON]
CHORUS
Thy son has gone, my liege, in angry haste.
Fell is the wrath of youth beneath a smart.
CREON
Let him go vent his fury like a fiend:
These sisters twain he shall not save from death.
CHORUS
Surely, thou meanest not to slay them both?
CREON
I stand corrected; only her who touched
The body.
CHORUS
And what death is she to die?
CREON
She shall be taken to some desert place
By man untrod, and in a rock-hewn cave,
With food no more than to avoid the taint
That homicide might bring on all the State,
Buried alive. There let her call in aid
The King of Death, the one god she reveres,
Or learn too late a lesson learnt at last:
'Tis labor lost, to reverence the dead.
CHORUS
(Str.)
Love resistless in fight, all yield at a glance of thine eye,
Love who pillowed all night on a maiden's cheek dost lie,
Over the upland holds. Shall mortals not yield to thee?
(Ant).
Mad are thy subjects all, and even the wisest heart
Straight to folly will fall, at a touch of thy poisoned dart.
Thou didst kindle the strife, this feud of kinsman with kin,
By the eyes of a winsome wife, and the yearning her heart to win.
For as her consort still, enthroned with Justice above,
Thou bendest man to thy will, O all invincible Love.
Lo I myself am borne aside,
From Justice, as I view this bride.
(O sight an eye in tears to drown)
Antigone, so young, so fair,
Thus hurried down
Death's bower with the dead to share.
ANTIGONE
(Str. 1)
Friends, countrymen, my last farewell I make;
My journey's done.
One last fond, lingering, longing look I take
At the bright sun.
For Death who puts to sleep both young and old
Hales my young life,
And beckons me to Acheron's dark fold,
An unwed wife.
No youths have sung the marriage song for me,
My bridal bed
No maids have strewn with flowers from the lea,
'Tis Death I wed.
CHORUS
But bethink thee, thou art sped,
Great and glorious, to the dead.
Thou the sword's edge hast not tasted,
No disease thy frame hath wasted.
Freely thou alone shalt go
Living to the dead below.
ANTIGONE
(Ant. 1)
Nay, but the piteous tale I've heard men tell
Of Tantalus' doomed child,
Chained upon Siphylus' high rocky fell,
That clung like ivy wild,
Drenched by the pelting rain and whirling snow,
Left there to pine,
While on her frozen breast the tears aye flow--
Her fate is mine.
CHORUS
She was sprung of gods, divine,
Mortals we of mortal line.
Like renown with gods to gain
Recompenses all thy pain.
Take this solace to thy tomb
Hers in life and death thy doom.
ANTIGONE
(Str. 2)
Alack, alack! Ye mock me. Is it meet
Thus to insult me living, to my face?
Cease, by our country's altars I entreat,
Ye lordly rulers of a lordly race.
O fount of Dirce, wood-embowered plain
Where Theban chariots to victory speed,
Mark ye the cruel laws that now have wrought my bane,
The friends who show no pity in my need!
Was ever fate like mine? O monstrous doom,
Within a rock-built prison sepulchered,
To fade and wither in a living tomb,
And alien midst the living and the dead.
CHORUS
(Str. 3)
In thy boldness over-rash
Madly thou thy foot didst dash
'Gainst high Justice' altar stair.
Thou a father's guild dost bear.
ANTIGONE
(Ant. 2)
At this thou touchest my most poignant pain,
My ill-starred father's piteous disgrace,
The taint of blood, the hereditary stain,
That clings to all of Labdacus' famed race.
Woe worth the monstrous marriage-bed where lay
A mother with the son her womb had borne,
Therein I was conceived, woe worth the day,
Fruit of incestuous sheets, a maid forlorn,
And now I pass, accursed and unwed,
To meet them as an alien there below;
And thee, O brother, in marriage ill-bestead,
'Twas thy dead hand that dealt me this death-blow.
CHORUS
Religion has her chains, 'tis true,
Let rite be paid when rites are due.
Yet is it ill to disobey
The powers who hold by might the sway.
Thou hast withstood authority,
A self-willed rebel, thou must die.
ANTIGONE
Unwept, unwed, unfriended, hence I go,
No longer may I see the day's bright eye;
Not one friend left to share my bitter woe,
And o'er my ashes heave one passing sigh.
CREON
If wail and lamentation aught availed
To stave off death, I trow they'd never end.
Away with her, and having walled her up
In a rock-vaulted tomb, as I ordained,
Leave her alone at liberty to die,
Or, if she choose, to live in solitude,
The tomb her dwelling. We in either case
Are guiltless as concerns this maiden's blood,
Only on earth no lodging shall she find.
ANTIGONE
O grave, O bridal bower, O prison house
Hewn from the rock, my everlasting home,
Whither I go to join the mighty host
Of kinsfolk, Persephassa's guests long dead,
The last of all, of all more miserable,
I pass, my destined span of years cut short.
And yet good hope is mine that I shall find
A welcome from my sire, a welcome too,
From thee, my mother, and my brother dear;
From with these hands, I laved and decked your limbs
In death, and poured libations on your grave.
And last, my Polyneices, unto thee
I paid due rites, and this my recompense!
Yet am I justified in wisdom's eyes.
For even had it been some child of mine,
Or husband mouldering in death's decay,
I had not wrought this deed despite the State.
What is the law I call in aid? 'Tis thus
I argue. Had it been a husband dead
I might have wed another, and have borne
Another child, to take the dead child's place.
But, now my sire and mother both are dead,
No second brother can be born for me.
Thus by the law of conscience I was led
To honor thee, dear brother, and was judged
By Creon guilty of a heinous crime.
And now he drags me like a criminal,
A bride unwed, amerced of marriage-song
And marriage-bed and joys of motherhood,
By friends deserted to a living grave.
What ordinance of heaven have I transgressed?
Hereafter can I look to any god
For succor, call on any man for help?
Alas, my piety is impious deemed.
Well, if such justice is approved of heaven,
I shall be taught by suffering my sin;
But if the sin is theirs, O may they suffer
No worse ills than the wrongs they do to me.
CHORUS
The same ungovernable will
Drives like a gale the maiden still.
CREON
Therefore, my guards who let her stay
Shall smart full sore for their delay.
ANTIGONE
Ah, woe is me! This word I hear
Brings death most near.
CHORUS
I have no comfort. What he saith,
Portends no other thing than death.
ANTIGONE
My fatherland, city of Thebes divine,
Ye gods of Thebes whence sprang my line,
Look, puissant lords of Thebes, on me;
The last of all your royal house ye see.
Martyred by men of sin, undone.
Such meed my piety hath won.
[Exit ANTIGONE]
CHORUS
(Str. 1)
Like to thee that maiden bright,
Danae, in her brass-bound tower,
Once exchanged the glad sunlight
For a cell, her bridal bower.
And yet she sprang of royal line,
My child, like thine,
And nursed the seed
By her conceived
Of Zeus descending in a golden shower.
Strange are the ways of Fate, her power
Nor wealth, nor arms withstand, nor tower;
Nor brass-prowed ships, that breast the sea
From Fate can flee.
(Ant. 1)
Thus Dryas' child, the rash Edonian King,
For words of high disdain
Did Bacchus to a rocky dungeon bring,
To cool the madness of a fevered brain.
His frenzy passed,
He learnt at last
'Twas madness gibes against a god to fling.
For once he fain had quenched the Maenad's fire;
And of the tuneful Nine provoked the ire.
(Str. 2)
By the Iron Rocks that guard the double main,
On Bosporus' lone strand,
Where stretcheth Salmydessus' plain
In the wild Thracian land,
There on his borders Ares witnessed
The vengeance by a jealous step-dame ta'en
The gore that trickled from a spindle red,
The sightless orbits of her step-sons twain.
(Ant. 2)
Wasting away they mourned their piteous doom,
The blasted issue of their mother's womb.
But she her lineage could trace
To great Erecththeus' race;
Daughter of Boreas in her sire's vast caves
Reared, where the tempest raves,
Swift as his horses o'er the hills she sped;
A child of gods; yet she, my child, like thee,
By Destiny
That knows not death nor age--she too was vanquished.
[Enter TEIRESIAS and BOY]
TEIRESIAS
Princes of Thebes, two wayfarers as one,
Having betwixt us eyes for one, we are here.
The blind man cannot move without a guide.
CREON
Why tidings, old Teiresias?
TEIRESIAS
I will tell thee;
And when thou hearest thou must heed the seer.
CREON
Thus far I ne'er have disobeyed thy rede.
TEIRESIAS
So hast thou steered the ship of State aright.
CREON
I know it, and I gladly own my debt.
TEIRESIAS
Bethink thee that thou treadest once again
The razor edge of peril.
CREON
What is this?
Thy words inspire a dread presentiment.
TEIRESIAS
The divination of my arts shall tell.
Sitting upon my throne of augury,
As is my wont, where every fowl of heaven
Find harborage, upon mine ears was borne
A jargon strange of twitterings, hoots, and screams;
So knew I that each bird at the other tare
With bloody talons, for the whirr of wings
Could signify naught else. Perturbed in soul,
I straight essayed the sacrifice by fire
On blazing altars, but the God of Fire
Came not in flame, and from the thigh bones dripped
And sputtered in the ashes a foul ooze;
Gall-bladders cracked and spurted up: the fat
Melted and fell and left the thigh bones bare.
Such are the signs, taught by this lad, I read--
As I guide others, so the boy guides me--
The frustrate signs of oracles grown dumb.
O King, thy willful temper ails the State,
For all our shrines and altars are profaned
By what has filled the maw of dogs and crows,
The flesh of Oedipus' unburied son.
Therefore the angry gods abominate
Our litanies and our burnt offerings;
Therefore no birds trill out a happy note,
Gorged with the carnival of human gore.
O ponder this, my son. To err is common
To all men, but the man who having erred
Hugs not his errors, but repents and seeks
The cure, is not a wastrel nor unwise.
No fool, the saw goes, like the obstinate fool.
Let death disarm thy vengeance. O forbear
To vex the dead. What glory wilt thou win
By slaying twice the slain? I mean thee well;
Counsel's most welcome if I promise gain.
CREON
Old man, ye all let fly at me your shafts
Like anchors at a target; yea, ye set
Your soothsayer on me. Peddlers are ye all
And I the merchandise ye buy and sell.
Go to, and make your profit where ye will,
Silver of Sardis change for gold of Ind;
Ye will not purchase this man's burial,
Not though the winged ministers of Zeus
Should bear him in their talons to his throne;
Not e'en in awe of prodigy so dire
Would I permit his burial, for I know
No human soilure can assail the gods;
This too I know, Teiresias, dire's the fall
Of craft and cunning when it tries to gloss
Foul treachery with fair words for filthy gain.
TEIRESIAS
Alas! doth any know and lay to heart--
CREON
Is this the prelude to some hackneyed saw?
TEIRESIAS
How far good counsel is the best of goods?
CREON
True, as unwisdom is the worst of ills.
TEIRESIAS
Thou art infected with that ill thyself.
CREON
I will not bandy insults with thee, seer.
TEIRESIAS
And yet thou say'st my prophesies are frauds.
CREON
Prophets are all a money-getting tribe.
TEIRESIAS
And kings are all a lucre-loving race.
CREON
Dost know at whom thou glancest, me thy lord?
TEIRESIAS
Lord of the State and savior, thanks to me.
CREON
Skilled prophet art thou, but to wrong inclined.
TEIRESIAS
Take heed, thou wilt provoke me to reveal
The mystery deep hidden in my breast.
CREON
Say on, but see it be not said for gain.
TEIRESIAS
Such thou, methinks, till now hast judged my words.
CREON
Be sure thou wilt not traffic on my wits.
TEIRESIAS
Know then for sure, the coursers of the sun
Not many times shall run their race, before
Thou shalt have given the fruit of thine own loins
In quittance of thy murder, life for life;
For that thou hast entombed a living soul,
And sent below a denizen of earth,
And wronged the nether gods by leaving here
A corpse unlaved, unwept, unsepulchered.
Herein thou hast no part, nor e'en the gods
In heaven; and thou usurp'st a power not thine.
For this the avenging spirits of Heaven and Hell
Who dog the steps of sin are on thy trail:
What these have suffered thou shalt suffer too.
And now, consider whether bought by gold
I prophesy. For, yet a little while,
And sound of lamentation shall be heard,
Of men and women through thy desolate halls;
And all thy neighbor States are leagues to avenge
Their mangled warriors who have found a grave
I' the maw of wolf or hound, or winged bird
That flying homewards taints their city's air.
These are the shafts, that like a bowman I
Provoked to anger, loosen at thy breast,
Unerring, and their smart thou shalt not shun.
Boy, lead me home, that he may vent his spleen
On younger men, and learn to curb his tongue
With gentler manners than his present mood.
[Exit TEIRESIAS]
CHORUS
My liege, that man hath gone, foretelling woe.
And, O believe me, since these grizzled locks
Were like the raven, never have I known
The prophet's warning to the State to fail.
CREON
I know it too, and it perplexes me.
To yield is grievous, but the obstinate soul
That fights with Fate, is smitten grievously.
CHORUS
Son of Menoeceus, list to good advice.
CHORUS
What should I do. Advise me. I will heed.
CHORUS
Go, free the maiden from her rocky cell;
And for the unburied outlaw build a tomb.
CREON
Is that your counsel? You would have me yield?
CHORUS
Yea, king, this instant. Vengeance of the gods
Is swift to overtake the impenitent.
CREON
Ah! what a wrench it is to sacrifice
My heart's resolve; but Fate is ill to fight.
CHORUS
Go, trust not others. Do it quick thyself.
CREON
I go hot-foot. Bestir ye one and all,
My henchmen! Get ye axes! Speed away
To yonder eminence! I too will go,
For all my resolution this way sways.
'Twas I that bound, I too will set her free.
Almost I am persuaded it is best
To keep through life the law ordained of old.
[Exit CREON]
CHORUS
(Str. 1)
Thou by many names adored,
Child of Zeus the God of thunder,
Of a Theban bride the wonder,
Fair Italia's guardian lord;
In the deep-embosomed glades
Of the Eleusinian Queen
Haunt of revelers, men and maids,
Dionysus, thou art seen.
Where Ismenus rolls his waters,
Where the Dragon's teeth were sown,
Where the Bacchanals thy daughters
Round thee roam,
There thy home;
Thebes, O Bacchus, is thine own.
(Ant. 1)
Thee on the two-crested rock
Lurid-flaming torches see;
Where Corisian maidens flock,
Thee the springs of Castaly.
By Nysa's bastion ivy-clad,
By shores with clustered vineyards glad,
There to thee the hymn rings out,
And through our streets we Thebans shout,
All hall to thee
Evoe, Evoe!
(Str. 2)
Oh, as thou lov'st this city best of all,
To thee, and to thy Mother levin-stricken,
In our dire need we call;
Thou see'st with what a plague our townsfolk sicken.
Thy ready help we crave,
Whether adown Parnassian heights descending,
Or o'er the roaring straits thy swift was wending,
Save us, O save!
(Ant. 2)
Brightest of all the orbs that breathe forth light,
Authentic son of Zeus, immortal king,
Leader of all the voices of the night,
Come, and thy train of Thyiads with thee bring,
Thy maddened rout
Who dance before thee all night long, and shout,
Thy handmaids we,
Evoe, Evoe!
[Enter MESSENGER]
MESSENGER
Attend all ye who dwell beside the halls
Of Cadmus and Amphion. No man's life
As of one tenor would I praise or blame,
For Fortune with a constant ebb and rise
Casts down and raises high and low alike,
And none can read a mortal's horoscope.
Take Creon; he, methought, if any man,
Was enviable. He had saved this land
Of Cadmus from our enemies and attained
A monarch's powers and ruled the state supreme,
While a right noble issue crowned his bliss.
Now all is gone and wasted, for a life
Without life's joys I count a living death.
You'll tell me he has ample store of wealth,
The pomp and circumstance of kings; but if
These give no pleasure, all the rest I count
The shadow of a shade, nor would I weigh
His wealth and power 'gainst a dram of joy.
CHORUS
What fresh woes bring'st thou to the royal house?
MESSENGER
Both dead, and they who live deserve to die.
CHORUS
Who is the slayer, who the victim? speak.
MESSENGER
Haemon; his blood shed by no stranger hand.
CHORUS
What mean ye? by his father's or his own?
MESSENGER
His own; in anger for his father's crime.
CHORUS
O prophet, what thou spakest comes to pass.
MESSENGER
So stands the case; now 'tis for you to act.
CHORUS
Lo! from the palace gates I see approaching
Creon's unhappy wife, Eurydice.
Comes she by chance or learning her son's fate?
[Enter EURYDICE]
EURYDICE
Ye men of Thebes, I overheard your talk.
As I passed out to offer up my prayer
To Pallas, and was drawing back the bar
To open wide the door, upon my ears
There broke a wail that told of household woe
Stricken with terror in my handmaids' arms
I fell and fainted. But repeat your tale
To one not unacquaint with misery.
MESSENGER
Dear mistress, I was there and will relate
The perfect truth, omitting not one word.
Why should we gloze and flatter, to be proved
Liars hereafter? Truth is ever best.
Well, in attendance on my liege, your lord,
I crossed the plain to its utmost margin, where
The corse of Polyneices, gnawn and mauled,
Was lying yet. We offered first a prayer
To Pluto and the goddess of cross-ways,
With contrite hearts, to deprecate their ire.
Then laved with lustral waves the mangled corse,
Laid it on fresh-lopped branches, lit a pyre,
And to his memory piled a mighty mound
Of mother earth. Then to the caverned rock,
The bridal chamber of the maid and Death,
We sped, about to enter. But a guard
Heard from that godless shrine a far shrill wail,
And ran back to our lord to tell the news.
But as he nearer drew a hollow sound
Of lamentation to the King was borne.
He groaned and uttered then this bitter plaint:
"Am I a prophet? miserable me!
Is this the saddest path I ever trod?
'Tis my son's voice that calls me. On press on,
My henchmen, haste with double speed to the tomb
Where rocks down-torn have made a gap, look in
And tell me if in truth I recognize
The voice of Haemon or am heaven-deceived."
So at the bidding of our distraught lord
We looked, and in the craven's vaulted gloom
I saw the maiden lying strangled there,
A noose of linen twined about her neck;
And hard beside her, clasping her cold form,
Her lover lay bewailing his dead bride
Death-wedded, and his father's cruelty.
When the King saw him, with a terrible groan
He moved towards him, crying, "O my son
What hast thou done? What ailed thee? What mischance
Has reft thee of thy reason? O come forth,
Come forth, my son; thy father supplicates."
But the son glared at him with tiger eyes,
Spat in his face, and then, without a word,
Drew his two-hilted sword and smote, but missed
His father flying backwards. Then the boy,
Wroth with himself, poor wretch, incontinent
Fell on his sword and drove it through his side
Home, but yet breathing clasped in his lax arms
The maid, her pallid cheek incarnadined
With his expiring gasps. So there they lay
Two corpses, one in death. His marriage rites
Are consummated in the halls of Death:
A witness that of ills whate'er befall
Mortals' unwisdom is the worst of all.
[Exit EURYDICE]
CHORUS
What makest thou of this? The Queen has gone
Without a word importing good or ill.
MESSENGER
I marvel too, but entertain good hope.
'Tis that she shrinks in public to lament
Her son's sad ending, and in privacy
Would with her maidens mourn a private loss.
Trust me, she is discreet and will not err.
CHORUS
I know not, but strained silence, so I deem,
Is no less ominous than excessive grief.
MESSENGER
Well, let us to the house and solve our doubts,
Whether the tumult of her heart conceals
Some fell design. It may be thou art right:
Unnatural silence signifies no good.
CHORUS
Lo! the King himself appears.
Evidence he with him bears
'Gainst himself (ah me! I quake
'Gainst a king such charge to make)
But all must own,
The guilt is his and his alone.
CREON
(Str. 1)
Woe for sin of minds perverse,
Deadly fraught with mortal curse.
Behold us slain and slayers, all akin.
Woe for my counsel dire, conceived in sin.
Alas, my son,
Life scarce begun,
Thou wast undone.
The fault was mine, mine only, O my son!
CHORUS
Too late thou seemest to perceive the truth.
CREON
(Str. 2)
By sorrow schooled. Heavy the hand of God,
Thorny and rough the paths my feet have trod,
Humbled my pride, my pleasure turned to pain;
Poor mortals, how we labor all in vain!
[Enter SECOND MESSENGER]
SECOND MESSENGER
Sorrows are thine, my lord, and more to come,
One lying at thy feet, another yet
More grievous waits thee, when thou comest home.
CREON
What woe is lacking to my tale of woes?
SECOND MESSENGER
Thy wife, the mother of thy dead son here,
Lies stricken by a fresh inflicted blow.
CREON
(Ant. 1)
How bottomless the pit!
Does claim me too, O Death?
What is this word he saith,
This woeful messenger? Say, is it fit
To slay anew a man already slain?
Is Death at work again,
Stroke upon stroke, first son, then mother slain?
CHORUS
Look for thyself. She lies for all to view.
CREON
(Ant. 2)
Alas! another added woe I see.
What more remains to crown my agony?
A minute past I clasped a lifeless son,
And now another victim Death hath won.
Unhappy mother, most unhappy son!
SECOND MESSENGER
Beside the altar on a keen-edged sword
She fell and closed her eyes in night, but erst
She mourned for Megareus who nobly died
Long since, then for her son; with her last breath
She cursed thee, the slayer of her child.
CREON
(Str. 3)
I shudder with affright
O for a two-edged sword to slay outright
A wretch like me,
Made one with misery.
SECOND MESSENGER
'Tis true that thou wert charged by the dead Queen
As author of both deaths, hers and her son's.
CREON
In what wise was her self-destruction wrought?
SECOND MESSENGE
Hearing the loud lament above her son
With her own hand she stabbed herself to the heart.
CREON
(Str. 4)
I am the guilty cause. I did the deed,
Thy murderer. Yea, I guilty plead.
My henchmen, lead me hence, away, away,
A cipher, less than nothing; no delay!
CHORUS
Well said, if in disaster aught is well
His past endure demand the speediest cure.
CREON
(Ant. 3)
Come, Fate, a friend at need,
Come with all speed!
Come, my best friend,
And speed my end!
Away, away!
Let me not look upon another day!
CHORUS
This for the morrow; to us are present needs
That they whom it concerns must take in hand.
CREON
I join your prayer that echoes my desire.
CHORUS
O pray not, prayers are idle; from the doom
Of fate for mortals refuge is there none.
CREON
(Ant. 4)
Away with me, a worthless wretch who slew
Unwitting thee, my son, thy mother too.
Whither to turn I know now; every way
Leads but astray,
And on my head I feel the heavy weight
Of crushing Fate.
CHORUS
Of happiness the chiefest part
Is a wise heart:
And to defraud the gods in aught
With peril's fraught.
Swelling words of high-flown might
Mightily the gods do smite.
Chastisement for errors past
Wisdom brings to age at last.
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— Lauren
The curse that is leftover from the tragedy of Oedipus. Weird = Fate
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— Debbie
In Oedipus Rex, Oedipus unwittingly has killed his father and married his mother. When the truth of his actions are revealed, his wife/mother kills herself, and Oedipus puts out his own eyes in horror of what he has seen himself do. Since then, Eteocles and Polyneices killed each other in battle, and Antigone and Ismene are left alone in the world.
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— Owl Eyes Editors
The “roaring straits” here refers to the strait between Boeotia, the region of Thebes, and the island of Euboea.
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— Owl Eyes Editors
“Evoe, Evoe!” was the ritual cry in honor of Dionysus, uttered by his ecstatic worshippers.
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— Owl Eyes Editors
The Eleusinian mysteries were initiations held every year in the city of Eleusis in Ancient Greece. While these sacred rituals were primarily for the cult of Demeter and Persephone, Dionysus was also worshipped. With this passage the Chorus once again emphasises the close association between Dionysus and the city of Thebes. Unlike normal Greek religion, the cult of Dionysus promised salvation and paradise after death to believers.
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— Owl Eyes Editors
Dionysus was also known as Bacchus, Iacchus, and Evius, to name just a few of his names. This ode, which anticipates that Creon will remedy the situation and save the day, is a hymn to Dionysus. It emphasizes the universality of his power and, accordingly, lists many places where he is worshipped.
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— Owl Eyes Editors
Instead of a 5th stasimon, the poet has written here a hyporchema, or dance-song. This suggests that the chorus is expecting a happy ending. By setting up the Chorus in this way, Sophocles further dramatizes the tragedy of the conclusion.
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— Owl Eyes Editors
These lines describe how the unburied dead have been mauled by wild animals or taken apart by scavenging birds. This indicates that all the slain Argives, not just Polynices, have been denied burial. This is a foreboding image that foreshadows Creon’s divine punishment for defying the Argive soldier’s right to burial.
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— Owl Eyes Editors
In this context, “assail” means to insult or attack, while “soilure” means a sinful deed. This statement is an example of Creon’s hubris. He believed that nothing a human could do could be seen as an insult or an attack to the gods. This idea is contrary to traditional Greek piety, but in vogue with 5th-century Athenian humanism and rational thinking.
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— Owl Eyes Editors
Augury is the practice of watching the sky for the movement of birds and was an important part of Greek prophecy. Teiresias describes himself as sitting upon a “throne” of augury, which further implies he is a seer of noble rank and ability, and should command Creon’s respect.
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— Owl Eyes Editors
Thebes is a city in the region of Boeotia in the northern part of mainland Greece. Thebes was one of the most famous cities of ancient times, and is the geographical setting for many myths and legends. In the 5th century BCE, Thebes was a rival to Athens.
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— Owl Eyes Editors
Idaea, the second wife of King Phineus, tricked her husband into blinding the sons borne of his first marriage. Later, King Phineus was also blinded. Idaea’s story is another one of the tragedies the Chorus lists to prove that certain families are doomed to tragedy.
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— Owl Eyes Editors
The Greeks often built temples to the Gods outside the walls of their cities. Ares, the god of war, watches the events “there on his borders.” The presence of war on the outside of the city also suggests the battle of Thebes, which takes place before the events of the play.
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— Owl Eyes Editors
Lycurgus was the son Dryas and the King of Edoni in Thrace. He denied the godhood of Bacchus and was killed by him as a result. The Chorus use Lycurgus as an example here to show Antigone that even figures of great nobility can be vanquished by the gods.
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— Owl Eyes Editors
Danae was a mortal woman who was locked in a room by her father. Zeus was tempted by her beauty and entered her locked room in the form of a golden shower. The result of their union was the hero Perseus. Here, the Chorus describe Danae in her brass-bound tower to demonstrate how everyone is bound or constrained by their fate.
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— Owl Eyes Editors
Polynices was betrothed to the princess of Argos. Because of this marriage, the King of Argos allowed Polynices to lead the Argive army against Thebes, resulting in both his death and the death of his brother. Antigone includes Polynices’ betrothal in the long list of tragedies that have befallen her family. Most prominently, Antigone connects Polynices’ fate to the tragic fate of her father, Oedipus.
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— Owl Eyes Editors
The Chorus are not insulting Antigone, although she thinks they are. The Chorus merely reminds Antigone that she is mortal, because it was considered incredibly sinful in Ancient Greece to compare oneself to a god. Such a comparison would be an example of hubris, an excessive pridefulness in which mortals consider themselves godlike. Creon commits hubris by asserting that his laws are of equal or superior importance to divine laws.
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— Owl Eyes Editors
Niobe was the daughter of Tantalus and a prominent mythological figure in her own right. Niobe famously boasted to Leto that she fourteen children. This angered Leto, who only had two children, the twins Apollo and Artemis. As punishment for her boastfulness, Apollo killed Niobe’s sons, Artemis killed Niobe’s daughters, and Niobe herself was turned into a stone on Mt. Sipylus. A rock face on Mt. Sipylus does indeed resemble a female face, and is often called ‘the Weeping Rock’ due to the rivulets of water covering its surface. This water is said to be the tears of Niobe who remains in eternal mourning for her lost children. Antigone fears the same fate will befall her.
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— Owl Eyes Editors
If Antigone starves to death, she will technically have been murdered. As such, Antigone must be buried with just enough food to stay alive, so that the state cannot be tainted with a homicide. The Greeks thought that such a live burial would not cause the gods to curse the executioners.
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— Owl Eyes Editors
Zeus was such a major authority that his various roles were separated into different arenas, signalled by different epithets or labels. The God of Kindred is most likely a reference to Zeus Herkeios. Zeus Herkeios was the protector of the family and home (herkos is the Greek word for fence.) Many families had altars to Zeus Herkeios in their homes, where members of a family sacrificed and worshipped together.
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— Owl Eyes Editors
Creon's older son, Megareus, died to save Thebes from the Argive army. Haemon is Creon’s youngest child.
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— Owl Eyes Editors
For the Greeks, justice meant doing good to your friends and harm to your enemies. Antigone highlights the complications that arise from this simple definition. Creon defines an enemy as anyone who turns against his city, but Antigone sees only family ties as sacred. Hence, they have different views of the fallen Polynices. Each, however, is convinced that his or her own course is just.
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— Owl Eyes Editors
The Ancient Greeks believed that when passing an unburied corpse you must show respect by throwing dust over it. If one failed to do so, they would come under a curse from the ghost of the corpse. The guard discovers that the corpse of Polynices has been covered by dust, despite Creon’s order that the body should remain unburied. However, the guard finds no footprints or sign that another person has been present, leading him to think that this is the work of the gods.
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— Owl Eyes Editors
“His two sons” refers to Oedipus’ sons, Eteocles and Polynices, who died on the battlefield.
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— Owl Eyes Editors
King Laius was the father of Oedipus and the grandson of Cadmus, the founding father of Thebes. In “Oedipus the King,” Laius is murdered by Oedipus.
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— Owl Eyes Editors
Bacchus was a god associated with revelry. He was often invoked in situations of wine and intoxication. He was the son of Zeus and a mortal Theban princess, hence his close association with the city of Thebes.
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— Owl Eyes Editors
The victor in combat often dedicated the spoils of his victory, usually his opponent's armor, to a god in gratitude for the victory. Zeus would be a common choice for this dedication.
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— Owl Eyes Editors
In Ancient Greece, chariots were often used in battle. Chariots were small carts on wheels pulled forward by four horses. Chariot racing was also a popular form of entertainment. There were four horses to a chariot, who raced side-by-side. Strategy dictated that chariots always placed the strongest, fastest horse on the right end.
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— Owl Eyes Editors
Dragon’s teeth play a prominent role in Ancient Greek legend. In the tale of Jason and the Golden Fleece, dragon’s teeth planted in the ground are said to grow fully-fledged warriors. Dragon’s teeth also appear in the founding myth of Thebes. In this myth, Phoenician prince Cadmus sowed a field with the teeth of a dragon, out of which sprang the citizens of Thebes.
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— Owl Eyes Editors
Ares is the god of war, particularly the irrationality of war. Invoking Ares is often used to suggest war itself. The word “din” refers to a set of loud, continuous sounds such as those created by war.
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— Owl Eyes Editors
The Ancient Greeks believed in the necessity of a proper burial. The omission of burial rites was an insult to basic human dignity. Female relatives of the deceased were primarily involved in conducting the elaborate burial rituals. These rituals included the laying out of the body (prothesis), the funeral procession (ekphora), and the interment or cremation of the body.
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— Zachary, Owl Eyes Editor
Kites are a common species of bird. The Greeks thought that the gods communicated to mortals through birds. Different birds indicated different things, as did the actions of those birds. Since Tiresias is blind, he listens to the birds' cries for oracles. However, Tiresias is an especially powerful seer and could prophesize just as well without birds.
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— Owl Eyes Editors
King of the gods, Zeus is often portrayed as the supreme arbiter of justice and destiny.
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— Wesley, Owl Eyes Editor
Antigone’s speech may appear heartless, and her logic cold, but she speaks more about the larger picture of the continuation of her family. She states that while husbands and children can be replaced, a brother whose parents have died is irreplaceable. She uses these reasons to justify her decision to take her own life.
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— Wesley, Owl Eyes Editor
Creon has just sent Antigone to her death, and her betrothed and Creon’s son, Haemon, confronts his father. Haemon insists that he is still loyal to Creon but he cannot condone Antigone’s death. Creon accuses Haemon of betrayal, stating that as king he must protect the empire against traitors. Haemon counters that Creon has gone too far and has defied the gods. Creon’s worldview and obsession with the state have become so out of balance that his own son tries to attack him.
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— Wesley, Owl Eyes Editor
Creon is initially shocked to learn that Antigone has spread dust over Polynices's corpse (a direct defiance of Creon's ban against his burial). Creon's shock passes, and he reasserts himself stating that Antigone is as insolent as her father and will likewise fall. Creon's pride will not allow Antigone to go unpunished; doing so would make Creon less than a man because he allowed a woman to have power over him.
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— Wesley, Owl Eyes Editor
Since all of Oedipus’s heirs are dead, Creon has assumed the throne as next in line to rule. In this speech, he declares his loyalty to the state, and anyone who betrays the state also betrays him. For Creon, the state is the most important institution, transcending even bonds of family and friendship.
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— Wesley, Owl Eyes Editor
Having learned her uncle Creon will not give her brother Polynices a proper burial, Antigone has resolved to take matters into her own hands. Her sister, Ismene, fears for his sister's safety and urges her not to do this, or if she does, to do so secretly. Ismene is dismayed by how hard-hearted Antigone seems and tells her that her quest is hopeless. However, Ismene tells her departing sister that she is still loved by everyone despite her irrationality. This shows that Ismene strongly cares for Antigone, and that they both share a close affection for family.
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— Wesley, Owl Eyes Editor
Creon has changes the laws for burial rights based on the dead's relationship to Thebes. For instance, Creon denies a proper burial for anyone he considers a traitor. However, Antigone is outraged that her brother Polynices has been denied proper burial. Her anger reveals that she does not believe in the same laws as Creon, and that, for her, loyalty to her family is more important than Polynices's treason.
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— Wesley, Owl Eyes Editor
To Ismene’s horror, Antigone says that even though Creon is now king, he has no authority to keep Antigone from her obligations of love and family. With their brothers dead, Antigone and Ismene alone remain to redeem some form of family honor. Ismene refuses to join Antigone, stating that while the dead will forgive her, the state (Creon) will not. This presents an important complication because while all citizens are subjects of the state, women were considered subject to the leadership of men. Antigone's love for her family is directly at odds with the laws of Creon's state.