XXIV
BEOWULF IS DOUBLE-CONQUEROR
Then he saw mid the war-gems a weapon of victory,
An ancient giant-sword, of edges a-doughty,
Glory of warriors: of weapons 'twas choicest,
Only 'twas larger than any man else was
5 Able to bear to the battle-encounter,
The good and splendid work of the giants.
He grasped then the sword-hilt, knight of the Scyldings,
Bold and battle-grim, brandished his ring-sword,
Hopeless of living, hotly he smote her,
10 That the fiend-woman's neck firmly it grappled,
Broke through her bone-joints, the bill fully pierced her
Fate-cursèd body, she fell to the ground then:
The hand-sword was bloody, the hero exulted.
The brand was brilliant, brightly it glimmered,
15 Just as from heaven gemlike shineth
The torch of the firmament. He glanced 'long the building,
And turned by the wall then, Higelac's vassal
Raging and wrathful raised his battle-sword
Strong by the handle. The edge was not useless
20 To the hero-in-battle, but he speedily wished to
Give Grendel requital for the many assaults he
Had worked on the West-Danes not once, but often,
When he slew in slumber the subjects of Hrothgar,
Swallowed down fifteen sleeping retainers
25 Of the folk of the Danemen, and fully as many
Carried away, a horrible prey.
He gave him requital, grim-raging champion,
When he saw on his rest-place weary of conflict
Grendel lying, of life-joys bereavèd,
30 As the battle at Heorot erstwhile had scathed him;
His body far bounded, a blow when he suffered,
Death having seized him, sword-smiting heavy,
And he cut off his head then. Early this noticed
The clever carles who as comrades of Hrothgar
35 Gazed on the sea-deeps, that the surging wave-currents
Were mightily mingled, the mere-flood was gory:
Of the good one the gray-haired together held converse,
The hoary of head, that they hoped not to see again
The atheling ever, that exulting in victory
40 He'd return there to visit the distinguished folk-ruler:
Then many concluded the mere-wolf had killed him.
The ninth hour came then. From the ness-edge departed
The bold-mooded Scyldings; the gold-friend of heroes
Homeward betook him. The strangers sat down then
45 Soul-sick, sorrowful, the sea-waves regarding:
They wished and yet weened not their well-loved friend-lord
To see any more. The sword-blade began then,
The blood having touched it, contracting and shriveling
With battle-icicles; 'twas a wonderful marvel
50 That it melted entirely, likest to ice when
The Father unbindeth the bond of the frost and
Unwindeth the wave-bands, He who wieldeth dominion
Of times and of tides: a truth-firm Creator.
Nor took he of jewels more in the dwelling,
55 Lord of the Weders, though they lay all around him,
Than the head and the handle handsome with jewels;
The brand early melted, burnt was the weapon:
So hot was the blood, the strange-spirit poisonous
That in it did perish. He early swam off then
60 Who had bided in combat the carnage of haters,
Went up through the ocean; the eddies were cleansèd,
The spacious expanses, when the spirit from farland
His life put aside and this short-lived existence.
The seamen's defender came swimming to land then
65 Doughty of spirit, rejoiced in his sea-gift,
The bulky burden which he bore in his keeping.
The excellent vassals advanced then to meet him,
To God they were grateful, were glad in their chieftain,
That to see him safe and sound was granted them.
70 From the high-minded hero, then, helmet and burnie
Were speedily loosened: the ocean was putrid,
The water 'neath welkin weltered with gore.
Forth did they fare, then, their footsteps retracing,
Merry and mirthful, measured the earth-way,
75 The highway familiar: men very daring
Bare then the head from the sea-cliff, burdening
Each of the earlmen, excellent-valiant.
Four of them had to carry with labor
The head of Grendel to the high towering gold-hall
80 Upstuck on the spear, till fourteen most-valiant
And battle-brave Geatmen came there going
Straight to the palace: the prince of the people
Measured the mead-ways, their mood-brave companion.
The atheling of earlmen entered the building,
85 Deed-valiant man, adorned with distinction,
Doughty shield-warrior, to address King Hrothgar:
Then hung by the hair, the head of Grendel
Was borne to the building, where beer-thanes were drinking,
Loth before earlmen and eke 'fore the lady:
90 The warriors beheld then a wonderful sight.
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— Wesley, Owl Eyes Editor
Beowulf has cleansed the water, permanently calming the mere. Supernatural beings like Grendel and his mother no longer inhabit this horrific place. The poet uses this detail to illustrate how humans, and by extension God, have triumphed over the supernatural world.
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— Wesley, Owl Eyes Editor
This is one of the first times the poet mentions how life is a “short-lived” existence, a reference to the ephemeral, or transient, nature of the world. One of the less-discussed themes in the poem is that life and all of one's triumphs are only temporary. No matter how powerful one is, death and the end of one's power are the inevitable result.
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— Wesley, Owl Eyes Editor
Since the poet tells us that the spirit that was in the blood is poisonous, this provides extra insight into the character of Grendel. It’s not necessarily that Grendel’s body and blood are dangerous, it’s more that his soul is evil and corrupted, poisoning and harming everything it touches, even melting a sword crafted by the ancient race of giants. This reinforces the notion that Grendel is pure evil and that Beowulf is pure good.
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— Wesley, Owl Eyes Editor
Even though we shortly learn that Grendel's blood is so toxic that it melts the blade, this event is symbolic of the supernatural in the tale. The poet tells his audience that this blade, made by supernatural beings, has done its job and has no place in the human world. The added acknowledgment to the “truth-firm Creator,” while possibly an addition by Christian translators, is in keeping with this notion that the supernatural weapon has done its work in ridding the world of a supernatural enemy, and now “The Father unbindeth the bond” that keeps it together.
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— Wesley, Owl Eyes Editor
The "Weders" is another name for the Geats, or the Geat-folk. While Beowulf is not the king of the Geats, the inclusion of the word "Lord" here indicates the status that he holds among those people.
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— Wesley, Owl Eyes Editor
This is significant because it signals the coming of darkness. The mere and its surroundings are a threat to the men, especially in the dark, so they naturally want to be on their way back to Heorot before dark. The passing of time here and the coming of dark allows the poet an opportunity to create tension before Beowulf emerges victorious.
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— Wesley, Owl Eyes Editor
The poet interrupts Beowulf's scene by returning to the men on the surface waiting for his return. This style helps provide perspective on what Hrothgar's and Beowulf's men are doing during this time and how they respond to the coming of night, creating a mood of apprehension and anxiety. Shortly, the poet will very quickly transition back to Beowulf.
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— Wesley, Owl Eyes Editor
As mentioned on the List of Words and Phrases not in General Use page, a “carle” is another word for a “man.” However, it also has more specific meaning, such as a countryman, or a man of the common people. The poet then uses this “clever carles” to refer to Hrothgar’s men who have been waiting for Beowulf to resurface.
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— Wesley, Owl Eyes Editor
The taking of Grendel's head serves two purposes: Beowulf needs proof that he has killed Grendel, and based on what we now know about Scandinavian tribal warfare, the taking of heads is an established and accepted practice. So Beowulf is, in effect, taking the head as a war-trophy to be put on display (just as Grendel's arm was).
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— Wesley, Owl Eyes Editor
Recall Grendel’s immunity to weapons and that Beowulf's victory came about by battling Grendel on equal footing, hand-to-hand. Similarly, human weapons will not harm Grendel's mother, so Beowulf uses one made by giants. The poet makes it clear that the world of the supernatural differs from Beowulf's, and his success in this realm depends on his using a weapon that is also not from the world of humans.
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— Wesley, Owl Eyes Editor
As mentioned on the List of Words and Phrases not in General Use page, a “bill” is another word for a sword. In Old English poetry, the specific type of sword could vary between a long, straight broadsword and a shorter, slightly curved falchion. In this encounter, the bill is likely a massive broadsword, made by giants.